The Windy Hill

The original cover is public domain and available through Wikimedia Commons

The Windy Hill by Cornelia Meigs, 1921.

Oliver and Janet are spending the summer with their mother’s cousin, Jasper, who is a wealthier man than the rest of their family. Janet is enjoying the visit and Jasper’s grand house so far, but Oliver is very uneasy there. Oliver doesn’t like the vast, empty house, and he’s noticed that Jasper’s manner seems different from he remembers the last time they saw him. Oliver senses that something is troubling Jasper, something that he doesn’t want to discuss. Jasper is usually a cheerful person who enjoys his cousin’s children, but during this visit, he hardly pays attention to them and never smiles. Janet finds things to do to keep herself occupied, but Oliver is terribly bored and bothered by Jasper’s odd behavior.

Then, one evening, Jasper sees Oliver looking at a nearby house. He says that the people who live in that house are also cousins of theirs, but he’s been too busy lately to see much of them. Jasper apologizes for having neglected Janet and Oliver during their visit so far, and he says that he will invite Eleanor, the daughter of the cousin who lives in that house, to lunch the next day. Eleanor is close in age to Janet and Oliver, and Jasper thinks that they will be friends and that a visit from her will liven up the visit for them. Janet is pleased at the idea of another girl cousin visiting, but Oliver is at that phase where he doesn’t like girls. He can’t imagine that he would have anything in common with this unknown girl cousin, and he thinks he’ll be bored while Janet and Eleanor have fun together. He tries to tell Jasper as much, but Jasper is just amused by his attitude and tells him that, if he is afraid of girls, the sooner he gets over it, the better.

When Jasper orders his car and driver to take Janet and Oliver to see Eleanor, Oliver decides to rebel by going to the train station and trying to get a train home. However, while he is waiting at the train station, he becomes curious about the countryside around him and the nearby river he hasn’t yet investigated. He wanders off to explore a little and encounters a man and a girl at a nearby cottage. The man and the girl ask him to help them with their beehives. Oliver is a little nervous of the bees at first, but he follows the beekeeper’s directions and finds himself enjoying the work. The beekeeper and his daughter, Polly, invite him to join them for lunch afterward. After a lunch of biscuits, honey, and iced cocoa, Oliver feels much better about everything.

Polly thinks that she and her father have somewhere they need to be after lunch, but her father tells her not to worry about that. Instead, he entertains Oliver and Polly with a story about a Native American medicine man, a boy who is curious about what lies beyond the ocean, and their first encounter with white people. By the time the story is over, Oliver realizes that he has missed his train. He decides to return to Jasper’s house, where he is told that Janet didn’t go to see Eleanor because Eleanor was delayed somewhere. (Guess where.)

More and more, Jasper’s odd mood becomes apparent. His servants have also noticed how worried he’s been, and it seems like he’s always more upset after a mysterious and disagreeable man comes to see him. Nobody knows who he is or what his visits are about. Oliver knows how to drive, and Jasper has Oliver drive him out on a mysterious errand one evening to see someone. Oliver doesn’t know who Jasper talks to or what they say to each other, but the visit takes a long time, and it makes Jasper angry.

Oliver’s visit with Jasper gets better because Jasper allows him to use the car by himself from that point on. He takes Janet to visit the Beeman and Polly. Although Oliver is still not enthusiastic about girls, he likes Polly because she is very different from how he imagines that cousin Eleanor must be. The Beeman says that they have to pick up some new beehives that day, and Oliver volunteers to take the girls to get the hives from a man named John Massey. John Massey complains about his landlord, who hasn’t been maintaining the dikes. Massey has had to take it on himself, and the burden is becoming too great for him to bear.

It turns out that Massey’s landlord is Anthony Crawford, the unpleasant man who has been troubling Jasper. Crawford also seems more than happy to let Olive and Janet know that he is also a cousin of theirs. He seems to be under the impression that Jasper has cheated him in some way. Jasper says that he’s already given him what he’s entitled to have, but Crawford says that his share should be more than that. Crawford says that, if Jasper doesn’t give him what he really owes him, he can take everything Jasper has and destroy his reputation in the process. There are secrets in their family’s past that would cause a scandal if the public knew about them, and Crawford says that if people knew that there was one crook in their family, they would all be suspicious that Jasper is much the same way.

Oliver doesn’t know what to think of Crawford’s insinuations or his threats. Not knowing who else to turn to, Oliver explains the situation to the kindly Beeman and asks him what he should do to help Jasper. The Beeman knows far more about everything that’s been happening than Oliver knows, and he say that Crawford has unknowingly been laying a trap for himself. Crawford thinks he’s pretty sharp in his dealings with other people, but he’s been neglecting something very important. Actually, multiple things.

In a series of stories that the Beeman shares with the children, he indirectly tells the children the history of their family and quarrels that go back generations. He tells them about a family with a shipping business that restored their lost fortunes during the War of 1812 by turning to piracy. He tells them about siblings divided by quarrels over money during the Gold Rush. Although the Beeman doesn’t admit to the children that all of his stories are true in the beginning, they soon come to realize that they are and that they are directly connected to the them and the current situation.

Toward the end of the book, the Beeman ties all the pieces of the puzzle together before telling them the final story, the one about three cousins named Jasper, Anthony, and Thomas, who were all raised together and were very close, until they had a falling-out over Anthony’s scheming and his unethical dealings. There are reasons for everyone to resent Anthony for his meanness and greed, but the Beeman is correct that Anthony has set himself up for a fall. He really should have listened when everyone tried to tell him to fix the dike.

The book is available to borrow and read for free online through Internet Archive (multiple copies) and Project Gutenberg. Because it is in the public domain, there is also a LibriVox Audiobook recording.

My Reaction and Spoilers

The Family’s Story

In some ways, the story of the family in the book is also a celebration of American stories. The short stories about different generations in their family are set at turning points in American history. Something that fascinated me about these stories was that they were not all glowing about these points in American history and their associated legends. There are parts of the stories that emphasize the bold American values of adventure and ingenuity, but there are also dark sides and downsides to the stories and flawed characters. The family fortunes were set partly by piracy, but one of the heroes of the family was the man who realized when it was time to stop. Members of their family have been consumed by greed and quarrels, although some have overcome their flaws and misconceptions to come together and be a family again. Again, the Gold Rush story resolves happily when the brothers involved also realize the folly of endlessly pursuing riches at the expense of relationships with the people they love. There is even a slight rebuke against the westward expansion of the United States – portrayed heroically but also as highly costly as people died and killed others over land and gold and promoting an endless, unhappy quest for more and more, with people living their whole lives never feeling satisfied. In short, the family, like the stories and American history itself, is a mixed bag, and they are at their best when they realize their wrongs and make the decision to change. For a book from the early 1920s, a period of heightened patriotism and prejudice after WWI, it seems remarkably insightful and self-aware.

It was Anthony’s decision to forge a relative’s name to get money to cover his unethical dealings that ruined his relationship with his family. It was only by their charity and intervention that he wasn’t charged with his crime and sent to prison. He’s fully aware of that, but he’s been resentful about it rather than grateful. Even from a young age, Anthony had always coveted what other people had. Even if he didn’t really want things for their own sake, he would go through elaborate schemes and bitter fights to get what someone else had, just because someone else had it. Out of greed and spite, he has resurrected old property quarrels in their family. He not only got the old house that was originally willed to Jasper, but he has been scheming to get Jasper’s new house. The Beeman (who is the third cousin in the last story and father of Eleanor, who is called Polly as a nickname) says that Anthony should have headed the lessons learned by their family during the Gold Rush, that always reaching and reaching for greater prizes means never being satisfied with what one has and risking its loss in pursuit of the unattainable.

In the end, when Anthony’s scheming and corner-cutting leave him with no one to turn to but the family members he has harassed and schemed against, he finally experiences a change of heart. I find stories where the villain has a sudden change of heart after long-term villainy to be unrealistic, but the crisis that Anthony realizes he caused is sudden and serious. Because he has neglected the dike and driven away the people who were helping to cover his negligence at their own expense, he suddenly realized that he has endangered many lives, and everyone knows that it’s all his fault. He schemed to get control of that land but didn’t take care of it when he had it. Everyone knows what he did, nobody’s going to cover for him, and while he’s unscrupulous enough to scheme to get others’ property, he doesn’t want to be responsible for killing people. It’s enough to make him swallow his pride and acknowledge the reality of the situation to his cousins. They help him for the sake of the people in danger, and in return, he decides to leave the area.

In the end, Anthony takes a hard look at himself and his life, and he realizes that he and his wife and children were better off when they lived in another community, where he was forced to work for a living instead of by his schemes. He now fully understands his weaknesses and temptations, and rather than continuing to resent the things and people in his life that stop him from furthering his schemes, he has come to welcome them as the guiding forces that keep him from making destructive decisions. The way he phrases it struck me as a little corny, almost like the end of a PSA, but I approved of the sentiment. His family members made him angry because they saw him for who and what he was, but the point is that he now understands who and what he is himself. Although the others are willing to allow him some leniency because of the way he handles the crisis, Anthony realizes that he must give himself the discipline he needs and be the changing force in his own life.

Overall, I thought it was a pretty good story, although there are a few issues with racial language related to Native Americans. I’m not sure if there is a modern revised version of this story or not. The version that I’m reviewing is the original from the 1920s.

Native Americans in the Story

I found the first story the Beeman tells, the one about the Native Americans, fascinating because the story contains the concept that Native Americans arrived in the Americas by crossing the Pacific Ocean and moving eastward across the continent. I know that’s the modern concept of the origins of Native Americans, but I was surprised to find the concept in a book from the early 1920s. I didn’t realize that people in the 1920s had that concept because I thought the older theory was that Native Americans crossed a land bridge.

During the story about the Native American medicine man, the book uses the term “squaw”, which is a controversial term because, although it apparently can mean just “woman” in some Native American languages, it can mean something vulgar in others. Modern books avoid the use of the word, but it appears in some older books, like this one, because white people weren’t always aware of the connotations the word could have. This is the danger of using words you don’t fully understand. It isn’t meant in an insulting way in this book, but be aware that the word appears here and that it isn’t a good word to use yourself. If you’re referring to a Native American woman, just say “Native American woman”, and leave it at that.

The book also uses the word “Indian” instead of Native American, something that also appears in older books. I’ve explained before that this hearkens back to a much earlier misunderstanding about who Native American peoples were, and the nickname has stuck to a certain degree. However, modern convention is just to say “Native Americans” because it’s both a more accurate description and less confusing than explaining American Indians vs. Indians from India. I don’t mind the use of that term too much because it isn’t insulting. However, the book also occasionally uses the term “Red Man” to refer to Native Americans. The characters saying that don’t seem to use it out of malice, but I still think it’s inappropriate. I think that sort of thing went over my head when I was a little kid because I knew people were referred to as “white people” and “black people”, but after I was old enough to understand that there were other connotations to the term it became one of those terms that I think of as “derailing terms.” Even if the characters use it in a non-hostile way or kind of thoughtless way, we (the readers) know that there are hostile or demeaning connotations to the term. It just derails the train of thought of readers like me because we stop to process whether or not the character is trying to be insulting or demeaning, and it just distracts from the rest of the sentence and the thread of the story. I’m generally in favor of reprintings of books like this, with the racial terms updated because, provided that the author and characters are not trying to be demeaning or insulting, a change in the language can clarify attitudes and put the readers’ attention back where it belongs – on the story itself.

Native Americans also appear in the story about the Gold Rush, as risks encountered by westward travelers. Their appearance in the story is minimal, if stereotypical.

Secrets in the Attic

Secrets in the Attic by Carol Beach York, 1991.

Following the death of Jodie and Peter’s father in a car accident, Jodie’s mother decides that she want to move to a new town and have a fresh start. For some reason, people have been gossiping about the family, particularly Jodie’s Aunt Claire. Jodie doesn’t really want to leave her old home, but she does make a new best friend in her new school. However, they don’t return to their home town of East Hill until Great Aunt Winifred invites them to visit for Christmas.

Jodie loves Aunt Winifred and her big, old-fashioned house with the old toys in the attic. She has fond memories of her whole family getting together for Christmas there, and she thinks that if they visit for Christmas, things will be like they used to be. Jodie’s mother knows differently. Things are not like they used to be with Jodie’s father gone and the gossip still hanging over the family, although Jodie doesn’t understand why. Her mother refuses to return to East Hill, but she says that Jodie can visit Aunt Winifred if she wants. Jodie doesn’t want to be away from her mother and little brother on Christmas itself, so they decide that Jodie can visit Aunt Winifred the week after Christmas, between Christmas and New Year’s.

Jodie still can’t understand why her mother doesn’t want to see Aunt Winifred, but it’s really Aunt Claire that she doesn’t want to see. Jodie’s mother explains that, around the time that Jodie’s father died in the car accident, some money was stolen from Mr. Carrington. Jodie’s father was a lawyer, and Mr. Carrington was once of his clients, and the theft was discovered after Mr. Carrington himself died of a heart attack. Aunt Claire accused of Jodie’s father of stealing the money, but since he was killed in the accident, he never had a chance to defend himself against the accusation. Uncle Phillip, Claire’s husband and vice-president of the bank where Mr. Carrington kept his safe deposit box, never believed that Jodie’s father took the money, but it was bad publicity for the bank when it was stolen. He was trying to get to the bottom of the situation, but he had been in the car with Jodie’s father during the car accident and was also killed. That may have been why Aunt Claire started making public accusations against Jodie’s father – to deflect any blame or suspicion of Phillip because of his role in the bank and maybe also because she blamed Jodie’s father for getting him killed in the car accident when they skidded on a snowy road.

In spite of everything that’s happened, and even because of it, Jodie feels like she has to return to East Hill to see Aunt Winifred and face Aunt Claire. She’s not sure how, but she thinks that if she goes back to East Hill, she might find something that will clear up the situation. There had been another suspect in the theft, a nephew of Mr. Carrington, who was known to be in debt, but nobody could figure out how he could have stolen the money. When it comes down to it, Aunt Claire herself spends more money than she should.

When she gets to East Hill, she realizes that her mother was correct that East Hill doesn’t feel like it used to. Jodie no longer feels like East Hill is her home. She likes her new town and misses her best friend. Her older cousin, Lisa, who is Aunt Claire’s daughter, used to get on her nerves sometimes because she was always the “perfect” child. She is very pretty and talented on the piano, always seems to look great and do everything right, and is also kind of a snob. When Lisa is at the train station with Aunt Winifred to meet Jodie on her arrival, Jodie realizes that Lisa bothers her even more than she used did before.

Lisa is still fussy and snobby and impatient with Aunt Winifred, who sleeps more because she’s getting old. One thing that interests Lisa about Aunt Winifred is that she’s heard that Aunt Winifred is making a new will, and she openly speculates about who is going to get the most out of it. Jodie is disgusted by this talk and asks her why anybody has to get more than anyone else, and Lisa matter-of-factly tells her that there is always a favorite and that the favorite always gets the most. (I can guess that her mother probably told her this.) From the way Lisa talks, Jodie can tell that she thinks of herself as the “perfect” favorite and, therefore, already entitled to receive the most. It disturbs Jodie that Lisa doesn’t seem to care that Aunt Winifred would have to die for her to get anything at all. One day, she overhears Aunt Claire lecturing Lisa that she needs to practice her piano music more while visiting Aunt Winifred because she wants Aunt Winifred to pay for Lisa to study music in Europe. Aunt Winifred seems to want it even more than Lisa does.

While Lisa busies herself with practicing at the piano and calling her friends on the phone, Jodie goes up to the attic to see the old toys they used to play with. When she looks in the attic, she is surprised that her feelings about the attic have also changed. There is something about the attic that now bothers her, but she can’t quite think what it is. She feels like something in the attic has changed or that she wants to change something there, but she’s not sure why. When she looks for a log cabin toy with little pioneer and Indian (Native American) figurines that her father always loved, she is surprised that it is missing. Aunt Claire doesn’t think much of it, suggesting that Aunt Winifred might have just thrown it away, not knowing that it was Jodie’s father’s old favorite toy. However, Jodie knows that can’t be it. Aunt Winifred never had any children of her own, and she loved her two nephews as if they were her sons. She was very sentimental about the toys that they loved, and Jodie doubts that she would just suddenly decide to get rid of one of them.

When Jodie finally figures out what happened to the log cabin toy, the whole truth about the theft comes out.

The book is available to borrow and read for free online through Internet Archive.

My Reaction and Spoilers

I liked the setting of the story. Big old houses like Aunt Winifred’s aren’t very common anymore, and I always wanted to live in a house with an attic that had a solid floor to it, like the one in the story. Jodie’s memories of playing with the old toys and dress-up clothes there sound fun. Although Jodie doesn’t spend Christmas itself at the house, she is still there during the Christmas season, so the Christmas tree with its unique, old ornaments is still there, and the family enjoys Christmas treats, like chocolates and mince pies.

I had theories about the mystery right from the start. I hoped that Mr. Carrington’s nephew, who we never met, wouldn’t be the thief because that felt too much like bringing in an outsider as the culprit. When Jodie meets a boy named Kenny and becomes friends with him, I thought his family might have something to do with the theft, but they don’t. He’s just a boy who likes Jodie and has fun with her, doing things that Lisa thinks she’s too grown-up to do anymore, like throwing snowballs and making a snowman.

I really suspected Aunt Claire as the thief from the beginning. She definitely has expensive tastes, and when she appears in the story, her clothes and hairstyle sound much more expensive than I would expect from a widow raising a daughter in a fairly small town. The way she and her daughter talk about getting their hands on Aunt Winifred’s money emphasizes how callous and money-grubbing she is. Even Lisa admits that she doesn’t really want to go to Europe to study music. Her mother is the one who wants to go to Europe, and she’s using Lisa as the excuse to get money so both of them can go there. Lisa doesn’t like her mother’s plans because she wants to stay at her school with her friends. It occurred to me that Claire’s accusations about Jodie’s father taking Mr. Carrington’s money could have been to cover up for herself doing it. Since her husband worked at the bank, she could have used his position to get access to the money herself. That’s not exactly what happened, though.

Claire is not the thief. In a way, she was the motive for the crime, so when the truth comes out, it’s still going to hurt. When Jodie discovers what really happened, she even feels sorry for her aunt because she knows that the truth will be hard for her to hear and will affect her reputation in this town in the same way that the suspicions about her father affected her mother. Jodie also feels sorry for Lisa, which I felt was more justified than sympathy for Claire. However, the story ends with Jodie finding out the truth for herself, and we aren’t shown the moment when she reveals it to everyone. We don’t get to see everyone’s reactions, and if it changes any of Aunt Winifred’s thoughts about her will, we don’t see that happen. We don’t know what arrangements Aunt Winifred made originally, so that doesn’t matter too much. The talk about the will is really to establish the moral characters of Aunt Claire and Lisa.

I suspected that Aunt Claire was set up as being so awful and unlikable that readers wouldn’t be sorry if she turned out to be the thief, kind of like how the people who get murdered in old episodes of Murder She Wrote are usually the people who are the most nasty to everyone during the first ten minutes of the show, so viewers are not too sad about them dying and can get on with the puzzle of figuring out who did it. Aunt Claire makes a great villain because I disliked her so much that I wouldn’t have cared no matter what she was guilty of or what happened to her. She’s the snotty kind of woman who says awful things about other people, both behind their backs and to their faces. She criticizes people she sees for being fat and offers unsolicited critiques of their clothes, like she’s the fashion police. She’s extremely manipulative of other people and their emotions for the sake of getting what she wants and making herself feel good, and this even extends to her own daughter. Basically, she’s one of those middle school mean girls who never grew up beyond that point. That she’s good at being awful to other people and getting things she wants is enough justification to her that she sees nothing wrong with being the way she is. I’ve known so many other horrible adults exactly like that in real life that I knew I would cheer to see her shoved under the proverbial bus.

I was expecting that her greediness and high maintenance lifestyle were her motives and that her nastiness was a set-up so readers could focus on the puzzle of how she gets caught. I even thought that the story might take a dark twist with her tampering with Aunt Winifred’s medicine to slowly poison her for the inheritance she expected, since Aunt Winifred said that her medicine was making her unusually sleepy. However, Aunt Claire isn’t an attempted murderer any more than she’s a thief. She’s just an awful person who uses people, and her high maintenance lifestyle was the motive for the real thief, who was probably also manipulated by Claire and her expensive tastes.

Lisa’s character softens a little during the course of the story. She’s still fussy and a little spoiled because of the way her mother is, but Jodie realizes that Lisa isn’t very happy with the way her mother is. Lisa likes music, but her mother is manipulating her as much as anyone else to further her lifestyle. Lisa knows what she wants for herself, and hopefully, even though the truth about the theft is going to hurt her, it might actually change things for Lisa’s benefit in the long term.

I also wondered whether the car accident had anything to do with the theft, but apparently, it doesn’t. It doesn’t seem to have been caused deliberately or by anything directly related to the theft. It was just an accident that took place at an unfortunate time.

The Shimmering Ghost of Riversend

The Shimmering Ghost of Riversend by Norma Lehr, 1991.

Kathy Wicklow is going to visit her Aunt Sharon at their old family home over the summer. The old family home, Wicklow Manor, is in Riversend, California, which is in an area where gold was found years ago. Kathy isn’t happy about the trip. She has to leave her dog behind because her aunt owns a cat. She doesn’t even really know her aunt very well. Aunt Sharon is her father’s sister, and her mother has said that she’s weird (which was not a good thing for her to say, both because it’s insulting and because that’s not something to make her daughter glad about spending time with her). Kathy blames her mother for going back to work. Because her mother is working and won’t be home with her, Kathy has to leave her home, her friends, and her dog for a month!

Although Kathy loves to draw, she doesn’t think that she’ll want to do that in a place she is sure she’s going to hate. She also thinks maybe her parents don’t trust her at home because of the weird dreams she’s been having. Kathy has dreams about things that later happen, although she doesn’t know why.

Her father has nostalgic memories of the old family home where he and Sharon grew up. Sharon has only recently returned there after living on the East Coast. Kathy’s father says that Sharon is looking forward to seeing Kathy again and getting to know her because she hasn’t seen Kathy since she was a baby.

Right from the first, Wicklow Manor gives Kathy the creeps. There’s even a small graveyard nearby where Kathy’s father says their ancestors are buried because people used to be buried close to their homes. When she can actually see the house, Kathy is also shocked to realize that she has drawn that house before! She thought that she had invented the house she drew from her imagination, but somehow, she had a vision of the real house. Her father thinks that she must have seen a picture of it somewhere or maybe was inspired by his descriptions of the place. However, Kathy has also done a drawing of Aunt Sharon’s pet cat, without knowing what it looked like before. When they meet Aunt Sharon, she mentions that she’s glad Kathy is there because the house has been lonely, especially at night. Kathy’s dad starts to ask her if something is still happening, but Aunt Sharon quickly denies it before he can finish the thought. Kathy can tell there’s some kind of secret between them.

Aunt Sharon has turned the family’s manor into an inn, and she’s expecting guests soon. It also turns out that part of the reason why Kathy’s mother says that Sharon is weird is that she’s into health food, and Sharon is aware that Kathy’s mother thinks that she’s a weird health nut. Kathy’s father volunteers her to help in the kitchen, although Kathy is a little worried that she won’t like the health food, although the lemonade that she makes with maple syrup instead of sugar is pretty good.

Still, Aunt Sharon gives Kathy a beautiful room with a balcony. Kathy also meets a boy named Todd who lives nearby with his great-grandfather, who is called Upstream Mike. Todd and his great-grandfather pan for gold in the nearby river, and Mike also takes his burro called Nugget into town so tourists can pay for rides on him and pictures with him. Todd is just a little older than Kathy, and he tells Kathy that he likes to write down stories that his grandfather tells him, especially scary stories about the old Wicklow Manor. Kathy asks if there are ghosts there, and Todd tells her to ask his great-grandfather about it. Kathy asks her aunt about ghosts, and Aunt Sharon tells her that Mike has told scary stories about the place for years that were apparently passed down in his family. Mike’s family lived in the area when the first Wicklows arrived.

Aunt Sharon shows Kathy some of the things in the house that belonged to their ancestors, including a portrait of a pretty young woman, who Aunt Sharon says was Jenny Wicklow, who died young by drowning in the river and was buried in the old family graveyard. One of their ancestors, James Wicklow, made his fortune as a banker during the Gold Rush days, and Jenny was his daughter. There is one room in the house where Kathy isn’t allowed to go, which is the old room in the tower. Aunt Sharon says that the staircase is broken, and she can’t have it fixed yet.

On her first night at the manor, Kathy sees a woman in a cloak with a lantern. When she asks Mike about it, he says that it’s a ghost or spirit of some kind that usually appears to young ladies at the manor, possibly a banshee or similar spirit that is a harbinger of death. Kathy worries about that, and Mike tells her the story about Jenny Wicklow. Jenny was one of three children of James Wicklow. She also had a sister named Lora and a brother named Daniel, and Kathy is a descendant of Daniel. After their parents died, Daniel went to work in the city and left the running of the manor and family farm to his sisters. The two young women hired a handsome young drifter to help them, but he started flirting with both of the sisters. The sisters seemed to develop a rivalry for him and argued with each other about it. Rumor had it that Lora was the one who pushed Jenny into the river so she could have not only her own inheritance but her sister’s as well and get the man they both wanted. After Jenny was dead, it seemed like all of their gold disappeared, and so did Lora. People assumed that Lora ran off with her lover and took the money. Mike thinks that the ghost is dangerous, and that Sharon is the one who’s in danger!

Kathy soon begins to learn that Mike is both right and wrong about the ghost. The ghost is Lora, but she’s not trying to hurt Sharon or anyone else. Something tragic happened at Wicklow Manor years ago, and Lora is trying to tell someone about it, if she can find anyone brave enough to listen … and to discovered what actually happened to Lora herself.

The book is available to borrow and read for free online through Internet Archive.

My Reaction and Spoilers

For a good part of the story, I wasn’t sure exactly what Lora’s ghost was attempting to accomplish, keeping me in suspense. I did have the sense that Lora wasn’t the one who had murdered Jenny and that she had probably been murdered herself, which was why nobody saw her after Jenny’s body was found.

Mike is correct that Lora is the ghost, but she was not Jenny’s murderer. Like Kathy, Lora was psychic. She has been trying to communicate with different girls in the family over the years to clear her name, but the other girls have all been frightened of her. Sharon claims not to believe Kathy at first about how Lora is trying to communicate with her, but she later admits that it was because she was frightened. She also saw Lora when she was young, and that’s part of the reason why she was afraid to return to the old family home for so long. She was afraid to admit that the house was really haunted and that she was afraid of the ghost. It was a long time before she could even tell her own mother and brother about seeing Lora because she was afraid of being different from everyone else in the family. Sharon is also psychic, and like Kathy was initially, she was afraid of her gift.

Kathy and Todd use the messages that Lora communicates through Kathy’s drawings and Lora’s old diary to learn the truth. Jenny was murdered by the man she loved. Lora didn’t actually love him at all. She saw that he was a violent person and tried to warn Jenny about him, but Jenny wouldn’t listen because she thought Lora wanted him for herself. Lora saw the murder that was going to happen in a dream, and she wanted to stop it by using her own inheritance to pay the man to leave her sister alone. However, Lora was unable to save her sister. After he killed Jenny, the man came after Lora and murdered her, too. Then, he stole both of their inheritances. He hid Lora’s body, which was why everyone thought she must have run away with him.

After Lora’s ghost leads Kathy to where her body is buried in the cellar and she is given a proper burial in the family graveyard, the haunting ends. However, Kathy learns to appreciate her psychic gift because of this experience. She finds it reassuring that she shares her abilities with other people in her family. When she reads in Lora’s diary that Lora thought of her own psychic abilities as a gift, Kathy also comes to think of being psychic as a gift rather than a weird defect or something to fear.

The mystery in the story was good, and I also liked the information about panning for gold that Mike gives to Kathy when he gives her a gold panning lesson. There is also a tie-in with real children’s literature because Kathy mentions that she is reading Down a Dark Hall by Lois Duncan. I’ve reviewed Down a Dark Hall on my site, and it is about girls with psychic abilities at a haunted boarding school who channel the spirits of famous people to complete their unfinished works. The channeling and spiritual possession in that book are dangerous and harmful to the girls doing it, but in this book, Kathy becomes reconciled to her psychic abilities and Lora’s gentle spirit, who needs her help.

Mystery of the Haunted Pool

Mystery of the Haunted Pool by Phyllis A. Whitney, 1960.

At the beginning of the story, Susan Price is traveling alone to visit her Aunt Edith. Her father is in the hospital, and her mother and brothers are tending to things at home. Her family wants her to make a good impression on Captain Daniel Teague, who lives in Aunt Edith’s town. Her father’s doctor has advised him to move to the country, where there is less air pollution, and the family would like to move to the small town along the Hudson River where Aunt Edith owns an antique store. However, the only available house that would be big enough for the family would be the Teague house, and Captain Dan hasn’t decided whether to rent or sell his house to them or not. Before Susan arrives, she isn’t sure what’s going on with Captain Dan and the arrangements regarding his house, but it turns out to be a complicated situation involving her aunt’s antique business, the Teague family history, and Captain Dan’s grandson, Gene.

When Susan’s bus reaches the bus stop, Aunt Edith isn’t there to meet her, so she walks to her aunt’s store. Aunt Edith apologizes for not meeting her. The reason why she didn’t is that a woman named Altoona was hanging around her shop, and she didn’t want to leave Altoona there alone. Lately, Altoona has been acting suspiciously, snooping around the shop as though she’s looking for something but doesn’t want anyone to know. Aunt Edith doesn’t know what Altoona is looking for, but it’s making her nervous. In particular, Altoona seems interested in a barrel of old books that Aunt Edith is selling on commission for Captain Dan, but Aunt Edith doesn’t want her looking through them until she’s had a chance to examine them herself.

Aunt Edith says that she’s known Altoona since they were children. Altoona was raised by her father and an older sister, both of whom were strict and unloving. Altoona led a very restricted life until her father and sister both drowned in a boating accident. Since then, Altoona has been indulging herself by spending her inheritance on antiques. However, rather than being a good customer of Aunt Edith’s, Altoona has turned into competition. She seems to delight in trying to beat Aunt Edith to some fascinating antique. Altoona seems to be on the trail of some new discovery, but Aunt Edith doesn’t want to give her the chance to poach something that might be right under her nose in her own shop.

Since Aunt Edith’s husband died years before, she’s been living in a back room of her shop. With her brother and his family wanting to move to the country, she’s planning on helping them get a house and living there with them. Aunt Edith has her eye on a particular house owned by Captain Daniel Teague, but he’s been reluctant to sell, which is why it would help if Susan made a good impression on him. Captain Dan has been living in a big old house with his grandson, Gene, but it’s an expensive house to maintain for just the two of them. He’s been considering renting it to Susan’s family with an option for them to purchase it later. However, he’s been dragging his feet on making a final decision because he wants to make sure that he approves of the Price family and that Aunt Edith won’t sell any of the antique furnishings from the house in her shop without permission. Also, Gene is upset at the idea of moving, and Captain Dan is concerned about Gene.

Aunt Edith explains that Gene is just a little older than Susan and that he was injured in an accident a couple of years before. He was hit by a car, and he’s been in and out of the hospital for treatment. Even now, his leg is stiff, and he has to wear a brace. Susan witnesses his frustration when she watches him trying to play basketball alone the first time she meets him. She can tell that he’s been trying really hard to overcome his disability, but things are still very hard for him. Susan is touched by Gene’s struggles and his stubborn efforts to succeed. She also discovers that he has strength and coordination in his arms, even though his left leg is very weak. When she asks Gene to teach her how to shoot baskets so she can impress one of her older brothers, she begins to realize that sometimes Gene tries too hard, and it makes his situation harder on him. When he gets tense, he has more trouble than when he’s relaxed.

Gene confesses to Susan that he feels guilty about being hit by the car, not only because he got hurt but because of what it’s done to his family. He admits that it was his fault for not looking more carefully before crossing a nearby highway. He feels terrible because his grandfather has spent most of his savings to pay for the hospital and doctors’ bills, and his mother had to get a job in New York City to pay the rest. Gene’s reluctance to move out of the family’s old home is that he knows how much his grandfather loves it, and he would feel even more terrible if his family lost the house because of his careless accident. The two of them seem to be getting along until Susan tries to climb a nearby rock, and Gene angrily tells her not to.

Captain Dan turns out to be a nice man. He’s called Captain because he used to be a river boat captain. He comes from a long line of sailors. When Susan tells him about meeting Gene and how Gene got angry at her for trying to climb a rock, Captain Dan tells her not to try too hard to accommodate Gene and his moods. He says that Gene’s biggest improvements have only come recently, when he started pushing Gene to work harder to improve. He thinks that Gene was a bit coddled up to that point and that he was too discouraged by the doctors’ predictions about what he wouldn’t be able to do anymore without really trying to test his limits and see what he could do for himself. In a way, Captain Dan is actually in favor of the Prices moving into their big family home because he knows that Susan has brothers. He thinks that having other boys around will be good for Gene, getting him to participate in more activities and push himself a little more.

One thing that’s making Captain Dan hesitate is the idea of having Aunt Edith in his house. He admits that he finds it difficult to say no to her when she wants something, and she’s been urging him to let her sell some of his old things in her shop. He’s concerned about what she might talk him into parting with next if she were living in his house. When Gene finds out that Aunt Edith talked his grandfather into parting with that barrel of old books, he gets angry again and talks back to his grandfather.

Susan is surprised at Gene’s rudeness and disrespect, but his grandfather says that part of that comes from Gene not liking himself much right now. Because Gene is unhappy with and disparaging of himself, he’s unhappy and disparaging with everyone. That’s part of why Captain Dan has been pushing Gene to improve himself, to give him more confidence and self-respect because he will see that he still has the ability to improve. Captain Dan also realizes that Gene has an intense attachment to their family home and family heirlooms because he takes more pride in their family’s history than in himself, thinking that he’ll never be able to be proud of himself now. Aunt Edith says that Gene’s father, a pilot who died in a crash, was also a decorated pilot during WWII. When Gene was younger, before he was injured, he was a much more active boy, and his father was proud of him for it. Aunt Edith thinks that Gene worries that his father would be ashamed if he saw his current condition.

Susan likes Captain Dan for his kindness and understanding of Gene. She’s not sure how much help her brothers would be with Gene, though. Her brother Adam, the closest in age to Gene, probably wouldn’t have much patience with a boy like him. That’s probably why Susan’s family decided that Susan would be the best person to break the ice with Captain Dan and Gene.

Susan tells Captain Dan that she saw Altoona watching the house when she came up to see him, and he says that he knows about Altoona’s obsession with antiques. He’s not sure what Altoona is looking for, but he thinks it must be some kind of antique. Mrs. Bancroft, Captain Dan’s housekeeper, says that the family has a secret. Aunt Edith says that rumor has been around their small town for years, but she doesn’t know what sort of secret it’s supposed to be, and with a town full of people who all know each other and each other’s family history, she can’t imagine what could still be secret about the Teague family.

Then, Susan finds an old ship’s log book in the bottom of the barrel of books that Aunt Edith got from Captain Dan. It’s the log book for the Flying Sarah, the ship that one of the Teague ancestors sailed. Aunt Edith returns the log book to Gene because she knows it must be a family heirloom, more valuable to the Teague family than anyone else. However, Gene is still sore about Aunt Edith having the barrel of books, and Susan catches him sneaking into the shop one night while Aunt Edith is out. He says that he wants one of the books, but he refuses to say which one he wants or why. Susan thinks that Gene knows more about his family’s secret than he’s telling and that his concern about the books has something to do with it. It seems like Gene may be on the trail of the same thing Altoona is searching for, but what is it? Captain Dan also seems to know, but he tells Gene in Susan’s presence that it doesn’t matter.

Susan gets a hint from Altoona when Altoona tells her that the old Teague house is haunted by the ghost of Sarah Teague, the wife of the captain who sailed the Flying Sarah, which was named for her. Altoona says that Sarah’s husband was murdered on the Flying Sarah and that Sarah took over the family’s shipping business after his death. Then, Sarah drowned in the little pool in the woods near their house. Altoona says that Sarah promised to come back and haunt the house if things didn’t go her way, but what does that mean?

Susan does some research in an old book about ships and discovers that the captain of the Flying Sarah had been carrying a valuable shipment of jewels for a friend when the ship was attacked by pirates. He died from the wounds he received from the pirates, and the pirates apparently took the jewels along with other valuable objects from the ship. After her husband’s death, Sarah Teague insisted on taking responsibility for the lost jewels and repaying the owner for their loss, which was financially crippling for the family. The book also repeats the story about Sarah Teague haunting the old family home. Soon after Susan and Aunt Edith move into the Teague house, someone break in during the night, apparently looking for something. Susan goes to look at the pool where Sarah drowned and thinks that she sees a strange face looking back at her from the water. What message from the past does Sarah Teague have for them, and what secret has the Teague family been hiding for generations?

The book is available to borrow and read for free online through Internet Archive.

My Reaction and Spoilers

For much of the book, the exact nature of the Teague family secret is a mystery to Susan, although readers can probably make a pretty good guess at what Susan eventually finds. Part of the difficulty is that the Teagues themselves don’t seem to quite understand what they really have. They know part of the secret, but only part of it. When Susan discovers the rest, it changes things for Captain Dan and Gene. Susan’s brother, Adam, helps Susan with the mystery for part of the book, but Susan is the one who makes the final discovery.

Altoona is kind of a rival/antagonist for solving the mystery, but not an evil one. She appears to be going through a kind of finding herself phase since the deaths of her father and sister. Her family was repressive, so for the first time in her life, she is taking advantage of opportunities to get involved with community activities and indulge her own whims. She dresses in strange ways because she’s trying out all of the things her father and sister would have never allowed her to wear when she was younger. She volunteers at the local library, but she has trouble deciding which books to recommend to the children who visit the library because she’s never read many of them herself. When Susan suggests to her that she should read some of the children’s books herself so she’ll know what they’re like and what they’re about, Altoona balks at the idea of an adult reading children’s books at first. However, she decides that maybe Susan is right, and when she tries some of the children’s books that Susan recommends, she says that she likes them.

Altoona’s pursuit of the Teague family secrets isn’t malicious. It seems to come from her newfound sense of independence and adventure. Figuring out the old mysteries of the Teague family is a sort of personal challenge for her and something that has fascinated her for her entire life, a fascination that she is now free to indulge. She almost messes things up by taking something that doesn’t belong to her, but it turns out to be an innocent mistake because of something Gene did, and she makes things right in the end. Altoona also comes up with a solution to the Price family’s housing problem. She says that she’s always wanted to travel, and at Adam’s encouragement, she’s decided to take an extended international trip for a year or so. While she’s away, she rents her house to the Price family so the Teague family can have their house to themselves again.

The book mainly focuses on self-discovery for Gene as a side plot to the story. At the end of the book, Gene’s problems aren’t completely solved, but he has become more reconciled to his condition and has a better understanding of things he can and can’t do because of the children’s adventures. By learning to get along with Susan and Adam, Gene becomes more ready to face other people and their reactions to his disability. When things improve for him and his family, he also seems less inclined to keep beating himself up over his accident. Things aren’t perfect for him at the end, and he’s probably never going to have completely normal use of his bad leg again. Still, there are signs that he’s mending, both physically and emotionally, and that things will get easier for him.

I like books that mention other books. In this book, the barrel of books that Aunt Edith gets from Captain Dan includes classics, like Little Women and Treasure Island. There are also books by Washington Irving, Gene Stratton Porter (known for A Girl of the Limberlost), and Harold Bell Wright and some “novels about an imaginary kingdom called Graustark.” These are all real authors and books. Aunt Edith says that some of them aren’t old enough to be considered real antiques, but this book was written more than 60 years, so modern standards would be different. Part of the story also includes books that have hidden pictures drawn on the fore-edges of the pages, which can only be seen when the pages are held at an angle. This type of fore-edge drawing or painting is something that can be found in real antique books.

Crispin and the Cross of Lead

Crispin: The Cross of Lead by Avi, 2002.

The story begins in 1377 in England. It begins with the death of the boy’s mother, Asta. The boy is only known as “Asta’s son” at this point. Nobody has ever called him anything else for as long as he can remember. Even his mother only called him “Son.” He is 13 years old and has no knowledge of who his father was, although his mother told him that he died of the Plague before he was born. As a fatherless child, he was often taunted by others in their little village, and he noticed that no one really seemed to like his mother, although he never really understood why. The only real friend they’ve had is the village priest. With his mother gone and John Aycliffe, the steward of the manor of Lord Furnival that controls the area where they live, demanding his only ox as the death tax for his mother, the boy fears starvation.

As a bleak future lies before the boy, something happens which makes his situation even more dire. He witnesses a secret meeting between John Aycliffe and a mysterious stranger. The boy doesn’t understand the significance of the meeting, but Aycliffe catches him watching and tries to kill him. The boy escapes, but it soon becomes clear that he can’t go home again. Aycliffe has people hunting for him, and he overhears a couple of them talking, saying that the steward has accuse him of stealing from him. No one actually likes Aycliffe and they don’t really believe that the boy is a thief, but they have no choice but to follow the steward’s orders because he’s a relative of Lord Furnival’s wife, and that’s how he gained his position.

Not knowing why Aycliffe has framed him for theft and not having anywhere else to go, the boy turns to the village priest for help. He discusses the meeting he witnessed between Aycliffe and the mysterious stranger, and the priest reveals that Lord Furnival, who has been away, fighting, has returned home but is now dying. The stranger, Sir Richard du Brey, brought the news of Lord Furnival’s impending death, but the boy knows that Aycliffe and du Brey seemed concerned about another matter, something they said posed a threat to them.

The priest tells the boy that Aycliffe means to have him killed and that his only choice is to run away. The boy doesn’t see how he can do that or where he’s supposed to go because he has lived all of his life as a serf, bound to the land. The priest tells him that he needs to go to a big town and stay there for a year and a day to gain his freedom from serfdom (this was a true historical way for people to escape serfdom in the Middle Ages). The priest also tells the boy that his real name is Crispin, but his mother didn’t want anyone else to know, for reasons that he doesn’t explain. He asks Crispin if his mother ever told him anything about his father, but the boy just says that all he knows is that his father is dead. Crispin asks the priest if there’s something that he’s not telling him about his mother, but the priest doesn’t explain. Instead, he tells Crispin that the most important thing is for him to get away. He tells Crispin to hide in the woods while he gathers some things to help him on his journey, and he promises to tell him more about his father when they see each other again. He says that it would be safer for Crispin to know more right before he leaves. (You just know that when someone has something important to say but would prefer to say it later, that person is probably doomed.)

When Crispin waits for the priest to come for him later, a boy from the village shows up instead, saying that the priest sent him. The boy, Cerdic, guides him to Goodwife Peregrine’s house, and she advises him to go to the south because the steward’s men are searching the road to the north. She gives him some food and a cross made of lead in a leather pouch. Before Crispin leaves the village, however, Cerdic says that maybe he should head north after all because the steward might have been lying about searching the north, just to make Crispin think that he should go south. Cerdic says that the priest told him that the best way for Crispin to go would be west because that’s what everyone would least expect. It would be the last thing anyone would expect because the Lord Furnival’s manor house lies in that direction. However, Crispin soon discovers that he has been led into a trap and that the steward is waiting for him. He manages to escape, but he discovers that the priest has been murdered, preventing him from telling him whatever he knew.

Crispin wanders by himself until he finds an empty village where everyone was apparently killed by the Plague. However, there is one other person in the village, a traveling entertainer. The entertainer gives Crispin some food, but he also forces him to tell him his story. Realizing that the boy is a runaway, he forces Crispin to become his servant on the principle that a runaway serf can be taken by anyone. Crispin doesn’t want him for a master, but he has no choice because, if he refuses, the entertainer could easily turn him over to the steward at his former manor, where he would be killed.

The entertainer explains that his name is Orson Hrothgar, but his nickname is Bear because he is a large man. He shows Crispin his juggling and explains that’s how he makes his living. He asks Crispin what he can do, but all Crispin knows is the farming he did as a serf. Bear says that there is no way he could make a living on those skills in any city he went to and he’s going to have to acquire some new ones. Bear is a strange master, giving orders like a tyrant but at the same time claiming to hate tyranny and keeping Crispin firmly in his service while refusing to be called “sir” because he thinks that it makes Crispin sound too servile. As Bear and Crispin get to know each other, it starts becoming obvious that Bear is actually trying to help Crispin when he’s hard on him and even forcing him to serve him is actually in Crispin’s favor because Crispin doesn’t know how to survive by himself in the wider world and hesitates to make decisions for himself without guidance or orders from someone. The threat against Crispin’s life is real, and he’s gong to need help and guidance to survive.

Bear teaches Crispin how to sing and juggle so he can perform with him, but he also teaches the boy how to have some respect for himself and how to take charge of his own life. He can tell that Crispin has been badly neglected in his early life, taught only to obey orders and not ask questions. Because, for a long time, Crispin didn’t even know he own name, he thinks of himself as basically a nobody who doesn’t have a place in the world and isn’t worth anything to anyone. Bear takes Crispin in hand and shows him that his life and his own self are what he decides to make of them.

Bear’s own history is a strange story, and he tells Crispin how his father originally enrolled him in a Benedictine abbey at a young age to be a monk. While he was there, he learned to read and actually became a scholar, but before he took his final vows, he happened to meet a group of mummers, and he was charmed by the life of a traveling entertainer. He abandoned the abbey and traveled with the mummers for a time. He has also been a soldier, and during his time as a soldier, he met Lord Furnival. Crispin asks him what Lord Furnival is like because, even though he has always served on his land, he’s never actually met him. Bear describes Lord Furnival as a cruel man who used other men for his own gain and killed them when he had no use for them.

When they arrive at a new town, Bear assumes that Crispin will be safe to perform in public, having left his enemies behind because few people would pursue a poor boy of no important family or position over the theft that he was accused of doing back in his village. However, Crispin is alarmed to see Aycliffe as they enter the town. Bear realizes that there must be more to Crispin and his situation than even he knows. The murder of the priest back in the village is a shocking crime and must have been intended to silence him from telling whatever he knew. If Aycliffe poses a threat to Crispin, it seems that Crispin must also somehow pose a threat to him, a threat that he thinks must be eliminated. Discovering the reason for targeting Crispin also means unraveling the secrets of Crispin’s past and parentage, and along the way, Crispin also comes to a new vision of the future that he may build for himself.

There is a section in the back of the book which explains the history of this time period and some of the wider events that are a part of this story. The copy I read also had the text of an interview with the author.

This book is a Newbery Medal winner. It is available to borrow and read for free online through Internet Archive (multiple copies). There is also a sequel to this book called Crispin at the Edge of the World.

My Reaction and Spoilers

I read this book partly because I liked Midnight Magic by the same author, and I was pleased to see another mystery story by Avi set in Medieval times. However, the two books have a very different tone from each other. Midnight Magic featured palace intrigue and possible murder, but it was a spooky mystery adventure. Although there were dark themes, it had a sense of whimsy and fun adventure to it, playing with superstitions and a kind of spooky prank, even though it had high stakes. Crispin begins immediately with a mystery orphan who has people who are actively trying to kill him for reasons he doesn’t understand and who is forced to flee for his life. It’s much darker and more serious in tone, and there are parts where dead bodies are actually described in detail. This is definitely not a book for young kids!

The mystery in the story centers around the boy’s true identity and parentage. I thought it was obvious even from the beginning that the boy’s father would turn out to be someone important, whose identity might become known through the deaths of his mother and Lord Furnival and who might pose a threat to the villains in the story through whatever position and inheritance he might have.

It isn’t that much of a surprise that Lord Furnival is Crispin’s father. When he was alive (he dies during the story), he used women for his purposes as well as men. Crispin is not the only child he had by women other than his wife, who apparently, was unable to bear children. The story doesn’t explain who Crispin’s other half-siblings might be or where they are, but the other characters quickly realize that the reason why Lady Furnival and her kinsman, Aycliffe, want Crispin dead is that he might make a claim on his estate, or worse yet, other people might use Crispin to undermine their power. This is a dangerous time, and many people are competing for power and influence. Crispin’s mother was also no ordinary peasant girl. She has kin who are still alive and may be in a position to use Crispin and whatever inheritance or title he could claim to solidify their own positions. Even Crispin’s grandfather, if he became aware of the boy’s existence, might look at Crispin less as a beloved but previously unknown grandson, but more as an unexpected windfall that he could control and use to his advantage. Bear is really the only person who cares about Crispin’s welfare for his own sake, not for what he might be able to gain or achieve through him.

The plot is further complicated because it turns out that Bear is no ordinary entertainer. He turns out to be involved with a real historical character, John Ball, the priest who helped lead the Peasants’ Revolt of 1381. The pieces of philosophy that Bear discusses with Crispin throughout the story are not just academic, and for all of Bear’s apparent lightness as an entertainer, he is actually a deeply serious man who is participating in a clandestine organization that plans to put his principles into action in the form of a rebellion. In his travels, Bear acts as a kind of spy, carrying information to different leaders of his group. There are indications in the story of social unrest and the coming violence. Sadly, in real life, most of the leaders of this revolt were caught and put to death, including John Ball. This endeavor isn’t going to work out well for Bear’s associates and maybe not even for Bear himself, and that probably figures into the sequel to this book.

I particularly liked this book for the inclusion of many small historical details. Throughout the story, Bear and Crispin discuss aspects of Medieval law, social structure, and religion in England, and there are also some details about daily life and the Plague. The only Christian religion in the book is Catholic because the story takes place prior to the Reformation, so all of the religious talk in the book is from that perspective, although Bear and Crispin debate with each other about the role of God in determining a person’s position in life and human decisions (like when a person should wait to act on divine guidance vs making decisions for themselves) and the use of religious objects (like whether Crispin’s lead cross serves a purpose in prayer or if prayer should simply be private and mental, with no outside sign), which leaves room for readers to consider what they believe and their own views of the situation.

A small detail that I liked was Bear’s explanation of what the different colors of the robes of different types of monks mean. The different orders of monks and priests – Dominican (white robes), Franciscan (brown), and Benedictine (black) – still exist in modern times and still have a somewhat different focus from each other in their activities. As a Catholic, I know that Dominicans are usually (but not always) the priests who celebrate public masses in local churches (Bear describes them saying, “They preach well” because that’s a major focus of what that order of clergy does), and Jesuits (who don’t exist yet at the time of this story) are typically (but not exclusively) the ones who teach in Catholic schools (which I’ve never attended – I came up exclusively through public schools) and universities (Loyola Marymount University is an example). These are the two groups I’ve seen the most in my life in the modern southwestern US, but they are not the only orders of Catholic clergy. For example, the book didn’t mention the Cistercians, who also existed at the time of this story and are basically more strict, austere versions of the Benedictines. I like this particular detail because it shows how there is depth to every subject. A non-Catholic might not know that these different orders of clergy exist, and it matters because each of these groups does have a different focus in their views, methods, and lifestyles while still falling within the sphere of being Catholic. In Medieval England, because each of these groups would have performed somewhat different functions in society because of their different focus and people of the time would have been aware of the differences between them. If you’re a fan of Dungeons and Dragons, the concept of different subclasses of clerics have real-life parallels, not just in historical polytheistic religions but even in modern monotheistic religions.

It was common for Medieval monastic orders to support themselves through agriculture (when society was largely based on agriculture, abbeys kept their own lands and animals for support), but monks, priests, and nuns could also fulfill a variety of professions and services in society, some as charity and others as paid roles to support themselves and their orders. Aside from their basic religious functions, they could act as scribes, copying, writing, and illustrating religious and historical books and manuscripts on commission (essentially, the book publishers of their day, before printing presses were available). When Bear was young, his father enrolled him in a Benedictine abbey. He explains that he learned to read in different languages there, so this was probably the work they were preparing him to do if he had continued with his training there, rather than the public preaching he would have been taught to do if he had joined the Dominican order. It was one of the functions that Benedictines were known for, and it would have been a good order for someone to join if they wanted to lead an intellectual or academic life in the Middle Ages. Bear gets much of his philosophical attitude and reflection from his early Benedictine education, although he values the independent form of free thought that he developed through his years of travel to the more strict form of traditional scholarship the abbey would provide. Religious orders that emphasized reading, writing, and learning could also provide tutors to wealthy families to teach their children these skills and clerks (derived from the word “clergyman” or “cleric”), who would keep important financial, legal, and political records for influential people in society. Abbeys and monasteries might also provide lodging for travelers in places where there were no inns, hospitals for the sick and injured, and various forms of charity for those who needed it (the social services of their time). Although joining one of these orders involved strict rules and vows of chastity and poverty (any wealth they acquired was supposed to be used to support the group and their functions rather than mere personal gain), there were opportunities for intellectual as well as spiritual development and a chance to lead a more varied life than other parts of society might provide at the time.

In their travels, Bear and Crispin see many different types of people who would all have been part of Medieval English society. Not all of their jobs and positions are described in detail, but if someone was using this book with students working on a Medieval lesson unit, they could make notes about all of the different types of people Bear and Crispin meet and look up the details of their roles in society to get a more detailed picture of the world these characters are moving through.

The Mystery of the Cupboard

The Mystery of the Cupboard by Lynne Reid Banks, 1993.

This is the fourth book in the Indian in the Cupboard series. It’s also the longest book in the series and the one that reveals the most about the history of the magical key and cupboard and how their secrets tie into the secrets in Omri’s own family. It was my favorite book in the series when I was a kid!

Omri’s parents have surprised him by telling him that they’re planning on moving to a new house again. Omri wasn’t exactly happy with their last move, and his room and other parts of their new house were damaged after his last adventure with time travel, when his friend Patrick brought back a tornado with him. However, now that the house has been repaired and he’s settled in, Omri doesn’t like the idea of having to pack up and leave and get used to a new place again. His parents want to move to the country, but it’s not even the area where Patrick now lives. Instead, they’re planning to move to a house that his mother has just inherited.

The house Omri’s mother has inherited belonged to an older cousin of hers she never actually knew. He didn’t leave his house specifically to her; it’s just that he died and left no will, and Omri’s mother happens to be the nearest living relative his lawyers could find. When they finally see the house and find out how much land is attached to it, it turns out to be much better than Omri expected.

There are just two things that concern Omri. The first is the package that he asked his father to store at a bank for him – the magical cupboard and key. Although Omri asked his father to put them in a bank deposit box to keep them safe and prevent himself from being tempted to use them again because it’s too dangerous, he doesn’t like the idea of them being too far away from where he’s living. His father promises to have them transferred to a bank near their new home. The second thing that worries him is that his cat mysteriously disappears soon after they move into the new house. (The cat is okay, she just sneaked away to have kittens.) His parents say that she’s just roaming her new territory and might be a little angry for being moved from her old home and that she’ll come back to Omri once she’s settled in, he still worries about her.

One night, he think he hears his cat crying and goes looking for her. He doesn’t see her, but he stumbles on something that was hidden in some old thatch that fell of the roof of the house. It turns out to be a metal box and a notebook belonging to someone named Jessica Charlotte Driscoll, written in 1950. Omri doesn’t know who she is, but the notebook is a story of her life, in which she describes incredible things happening to her which her family doesn’t believe. Omri wonders if she could be a relative of his, and the name Charlotte reminds him of his grandmother, Lottie. He never knew his grandmother and his mother doesn’t even remember her mother because she died in a bombing during WWII, when she was very young. The woman who wrote the notebook couldn’t have actually been his grandmother because she would have been dead for several years by 1950, but perhaps it was a family name.

Omri questions his mother about the cousin who owned the house and her family’s history. Jessica Charlotte turns out to be the sister of Omri’s great-grandmother, his mother’s great-aunt. Great Aunt Jessica Charlotte was the younger sister of his mother’s grandmother. After her mother was killed in the war, Omri’s mother was raised by her grandmother. Omri’s mother had asked her about her younger sister when she was a girl, but her grandmother didn’t like to talk about her. Apparently, Jessica Charlotte had been an actress with a somewhat scandalous past. However, the cousin who used to own this house was Jessica Charlotte’s son, Frederick. Frederick never married, and although Omri’s mother thought that Jessica Charlotte had lived abroad somewhere, it’s possible that she lived at this house for a time.

Much of the story is told through entries in Jessica Charlotte’s notebook. When Omri begins to read the notebook, written toward the end of Jessica Charlotte’s life, he learns, to his shock, that Jessica Charlotte was the original owner of the magic cupboard and that she had her own Little People who visited her from other times and were her friends. After Omri reads that, he questions Gillon, the brother who gave him the cupboard, and he admits that he didn’t really find it in an alley, like he said. He actually found it in the basement of their old house with a bunch of other junk. He just didn’t have the money to buy Omri a birthday present at the time, and Omri had kind of a fascination for secret drawers and boxes, so Gillon thought that he might have some fun with the old cupboard, and he made up the story about mysteriously finding it to make it more interesting. (I suspect that the author was just retconning this part to make it agree with the idea that the cupboard was passed down through Omri’s family, but I like the way this comes out, so I’m okay with that.)

The notebook further explains that Jessica Charlotte had been envious of her older sister because she was prettier, luckier, and often seemed favored by everyone. However, in mocking the young men who came to court her older sister, Jessica Charlotte discovered that she had a talent for mimicry, which led her to become an actress, although her family thought that it was a disreputable profession and disapproved. Jessica Charlotte also discovered that she was psychic and sometimes had visions of the future. She eventually left home and became an actress. Her sister, Maria, still visited her secretly sometimes, against their parents’ wishes.

After awhile, Jessica Charlotte became pregnant with Frederick, which was when she first came to the old house where Omri’s family now lives. She didn’t have any money and couldn’t work while pregnant, and because she was unmarried, she would have been considered shameful if people knew. At that time, the house was a farmhouse belonging to a relative of Frederick’s father. By that point, Jessica Charlotte realized that her boyfriend wasn’t a good person and wasn’t going to be a good father to their son, but he did arrange for this relative of his to help her through her pregnancy. Frederick was born in the house, and because he was illegitimate and sensed his mother’s complicated feelings about him and the circumstances of his birth, he and his mother were never as close as they really should have been.

Meanwhile, Maria got married and had a daughter, Lottie, who was Omri’s grandmother, the one who was killed in the war. Jessica Charlotte says that she did something that wronged Maria and Lottie, and Omri stops reading the diary for a time, but he decides that he really has to continue and know the full story.

Over the years, Jessica Charlotte lived a hard life, supporting Frederick through a mixture of acting and other odd jobs, including fortune telling because of her psychic abilities (although she never used her gift to see into the future for herself or anyone close to her because she was afraid she might see something bad happen to them and be unable to stop it). Meanwhile, Maria was living a very comfortable life with her husband and daughter. Even after their parents died, Maria still had Jessica Charlotte visit secretly because of her tainted reputation, and she never wanted to meet Frederick or talk about him because his birth was the cause of her sister’s scandal. Still, Jessica Charlotte continued to see her sister and became fond of Lottie.

However, Maria was basically a pampered snob who didn’t understand her sister’s life and hardships and also had a streak of self-centeredness. One day, when Lottie was a young child, Maria said that when Lottie was older, she didn’t want her to see so much of her aunt, implying that Jessica Charlotte would be a bad influence on her. Jessica Charlotte was deeply offended by that, but she was also fearful about losing the last family members who were still speaking to her. She had lost so many of her other relationships that she still felt the need to be close to Maria and Lottie as much as she could and visit their pampered and comfortable little world, enjoying occasional tastes of their happier and more comfortable lives.

Yet, Jessica Charlotte’s jealousy for Maria’s pampered life and anger at her callousness continued to eat at her. One day, when Maria was showing her all of her nice jewelry, Jessica Charlotte got the urge to steal a beautiful pair of earrings. First, Maria was being, at the very least, thoughtless and callous for showing off all of her nice jewelry to her much poorer sister, who could never have things like that herself. Maria not only had no concept about what her sister’s life was like outside of her occasional visits, but she purposely never asked her about how she was doing, how her son was doing, or even where they were living, how they were getting by, if they needed anything, or if she could help them in any way. She didn’t know because she didn’t want to know any of these things, and the fact that she didn’t want to know any of that indicates that she knew enough to understand that their circumstances weren’t pleasant. To show off all of her pretty things like that just seems like rubbing it in. Second, Jessica Charlotte had been in need for so long that she saw all of the pretty jewels as symbols of Maria’s comfortable life, something she hungered for herself. The pair of earrings weren’t something that Jessica Charlotte wanted just for the sake of having them but because of what they represented to her, the life that she couldn’t share in and which she knew that Maria would soon shut her out of when she declared that her visits with her young niece would have to stop soon.

Jessica Charlotte planned out the theft in advance, making a duplicate key for her sister’s jewelry box and thinking that her sister would just assume that she’d mislaid that one pair of earrings somewhere. Unfortunately, when Maria noticed that the earrings were gone, she thought Lottie had done something with them, and when she kept insisting that Lottie tell her where they were, Lottie got upset and ran out of the house into the street. Matt, Maria’s husband and Lottie’s father, chased after her and was hit by a cab and killed. Jessica Charlotte felt terrible when she heard the news because she hadn’t meant for anyone to get hurt, but there was nothing she could do to take it all back.

Omri knows how Maria and Lottie’s lives went after that point because of what his mother told him about their family history. After Matt died, Maria and Lottie didn’t have very much money to live on, just a little pension, and then their house was burgled, and many of Maria’s nice things were stolen, including the rest of her jewelry, so she couldn’t sell them for extra money. Maria had to move to smaller, cheaper lodgings and get a job for the first time in her life in order to support herself and her daughter, living a life closer to what her sister had been doing. When Lottie was grown and married, she and her husband helped to support her mother, but after they were killed in WWII, Maria took in Lottie’s daughter (Omri’s mother) and had to keep working in order to raise her. Although they were now living in more equal circumstances, the two sisters did not become close again because of Jessica Charlotte’s guilt about what she’d done. Jessica Charlotte ended up buying the old house in the country where her son had been born and told her sister that she was going to live abroad, never telling her exactly where. She had not expected to see Maria again anyway since Maria was planning to cut her out of her daughter’s life before Jessica Charlotte stole the earrings, and after Matt died, Jessica Charlotte couldn’t bring herself to face Maria. Jessica Charlotte lived in the country house until her death in 1950.

When Jessica Charlotte became too weak to write any longer, shortly before her death, she had Frederick finish the story in the notebook. Aside from the difficult feelings between Frederick and his mother because of the circumstances of his birth and the rough and poor childhood he endured, Frederick also says that the two of them don’t really get along because they are very different types of people. When he was grown, Frederick went into business as a metal smith, eventually owning his own factory that made toy soldiers and other metal toys. During WWII, the government had him convert his toy factory to manufacture munitions. He wasn’t happy about it, but it did make him fairly well-off. After the war, Frederick had hoped to go back to making metal toys, but plastic was coming into vogue as the material of choice for toys, and Frederick couldn’t stand the stuff. He thought that the newer plastic toys were cheap and shoddy compared to his detailed works of art in metal. (It was kind of true.) There were basically two choices before Frederick: convert to making the cheap plastic toys he hated or switch to making different types of metal products. He switched to making metal boxes and cabinets.

Frederick never really believed in his mother’s supposed psychic powers, but when he was upset about plastic ruining his metal toy business, he admits that he let his mother talk him into participating in a silly ritual. He was so angry and upset that his emotions were ruining his health, so his mother told him to build something to put his feelings into and shut them away. Frederick built Omri’s magical metal cupboard. When he was finished making it, his mother had him visualize cleansing himself of all of his anger and hatred of plastic and shutting that feeling away in the cupboard. To his surprise, his mother shut and locked the cupboard with a different key from the one that he’d made to put in the cupboard’s lock (her key to her sister’s jewelry box). He thought that this ritual was kind of crazy at first, but he did feel better after he did it. He felt weak for a time, but then he recovered. He still didn’t like plastic, but not to the point where it harmed his health anymore.

Jessica Charlotte had said her son had also inherited her psychic “gift”, even though he didn’t believe in it. Apparently, his strong feelings about plastic produced a kind of magic spell or curse that affected the key and the cupboard and created the effect of bringing plastic toys to life. Jessica Charlotte discovered this herself because her son had given her a set of plastic figures in order to demonstrate to her how these little figures were inferior to his metal ones. Jessica Charlotte put them in the cupboard and brought them to life, and these little friends of hers brought her some happiness in her final days. Frederick thought that her mother was imagining that she was talking to fairies or something and never found out about his mother’s little friends or the magic of the cupboard.

When Jessica Charlotte realized that she was dying, she used the cupboard to send her little friends back to their own time periods, except for one little maid named Jenny, who refused to go back because she’d had a terrible life in her own time. Instead of making her go back, Jessica Charlotte confided in one of the workmen fixing the thatch on her roof and gave Jenny to him. This man, Tom, was lonely because his wife left him for someone else, so Jenny was good company for him for many years, until one day, she simply turned back to plastic suddenly. When Omri finds Tom as an old man and introduces himself as Jessica Charlotte’s distant nephew, Tom explains all of this to him, saying that all he can think of is that Jenny’s physical body must have died in her own time after having been in an apparent coma for years. He buried her little plastic figure respectfully. Tom is also the one who sent the cupboard and key to Maria after Jessica Charlotte died along with a note dictated to him by Jessica Charlotte, hinting at the nature of the cupboard and key and tacitly admitting to the theft of the earrings, so Maria knew the truth of the theft before her own death.

Omri comes to realize that the metal box that Jessica Charlotte left behind, and which was sealed with wax, must contain her collection of little figures. When his friend, Patrick, comes to visit him at his new house, Omri explains the whole situation to him, and Patrick suggests that Omri’s magic key will probably open this metal box, too. Of course, he also points out that if Omri opens the box with that special key, it will bring the figures inside to life, just as it has with the cupboard and Omri’s old trunk. Omri sees Jessica Charlotte’s old figurines as a way of finishing her story and feels compelled to bring them back to life one last time, although he knows that bringing figures to life always comes with complications, and he will have no way of knowing who or what the figures are until the box is open.

When Omri gets the chance to talk to Jessica Charlotte’s little friends, he not only learns more about his great-great-aunt’s past and the history of the cupboard but also sees an opportunity to change the past of his mother and great-grandmother by preventing the robbery that made them poor. But, if he meddles in the past, what will that mean for his future?

The book is available to borrow and read for free online through Internet Archive (multiple copies).

My Reaction:

This is my favorite book in the Indian in the Cupboard series. I suspect that the author of the series didn’t originally have an explanation for why the cupboard and key were magic, but that’s just a guess on my part. The explanation behind the magic in this book makes sense, and those parts that didn’t quite mesh with the earlier books (like Omri’s brother’s original explanation of finding the cupboard in an alley) were briefly explained. Sometimes, when book or movie series try to explain something magical or a mysterious secret they’ve left hanging, it turns into a let-down because the explanation feels rushed or implausible or fits clumsily into the earlier parts of the story, but this one was pretty smooth, intriguing, and also opened up some new story possibilities.

In previous books, Omri and Patrick both did impulsive things with the cupboard that put their small friends, themselves, and other people in danger, but in this book, both of the boys seem to have matured. Although Patrick thinks of Jessica Charlotte as a bad person and a thief for stealing her sister’s earrings, Omri tries to explain to him that she was a much more complex and conflicted person than that. Yes, Jessica Charlotte was a thief, but her motives were beyond mere greed, and it wasn’t long before she regretted what she’d done and the lasting hurt that she’d caused her family. In considering Jessica Charlotte’s theft and the theft that the burglar who was one of Jessica Charlotte’s little friends later committed against Maria, partly out of personal greed and partly as retribution against Maria on Jessica Charlotte’s behalf, Omri and his mother both come to terms with their family’s history. Patrick, who in previous books had been the more impulsive one when he and Omri interacted with the little people from the past, acts as a restraining influence in this book when Omri is tempted to change his family’s past for the better by preventing the thefts that left his great-grandmother without money. Patrick is the one who makes it clear to Omri that, just as Jessica Charlotte’s theft of a single pair of earrings radically changed the lives of her sister and niece, if Omri tries to stop those events from happening, he might change his family’s past so much that he might accidentally prevent himself or even his own mother from being born in the first place. After Omri tells the thief to give back the jewel box he stole, Omri worries that he’s gone too far, but it turns out that one request was actually fated to happen, just as it turns out that Jessica Charlotte later realized that she had met Omri briefly in what she thought was a dream when he brought her plastic figure to life. Not all of Omri’s “meddling” with the past was really meddling but was actually part of what was fated to happen and has already had an effect on the past even before he knew it.

At the end of this book, something that Omri has alternately dreaded and wanted to happen: his father discovers the secret of the cupboard and meets Omri’s small friends. In books, there is usually this assumption that if parents ever find out about their children’s magical adventures, they will end because the parents will put a stop to them or somehow, the magic will be ruined. However, in this case, the magic is not ruined, and there is one more book in this series where both Omri and his father take part in the magic.

The Mystery of the Dancing Angels

Three Cousins Detective Club

#4 The Mystery of the Dancing Angels by Elspeth Campbell Murphy, 1995.

Sarah-Jane, Timothy, and Titus are visiting their grandparents over the summer when their grandmother’s cousin comes over to discuss some information she has found about their family’s genealogy. The kids’ great-great-great-grandfather was a woodcarver, and he did some work in a large house that is now being restored. There is a story that an expensive ruby necklace that belonged to the former owners of the house may be still hidden somewhere on the property.

The prospect of exploring the old house and maybe finding the missing necklace sounds exciting, but the kids also must spend their time looking after their distant cousin, Patience, who is only four years old and has a tendency of getting into trouble.

When little Patience disappears inside the house, the kids are worried, but she soon returns with the answer to a riddle that has been passed down in their family for generations. Dealing with little kids requires patience, but Patience herself notices details in the woodwork in the house that the adults and older children haven’t noticed.

The theme of the story is patience.

The book is available to borrow for free online through Internet Archive.

The Mystery of Drear House

The Mystery of Drear House by Virginia Hamilton, 1987.

This book is the continuation of The House of Dies Drear, and the final book in the short series.

The Smalls are now settled into the house that formerly belonged to the abolitionist Dies Drear, who used secret tunnels to help smuggle escaping slaves to freedom as part of the Underground Railroad. Thomas Small’s father is a college professor, who finds the history of the house endlessly fascinating, especially now that they know about the hidden treasure that the caretaker, Mr. Pluto has been guarding for many years.

Apart from the Small family and Mr. Pluto, Pesty is only other person who knows where the hidden treasure is. Pesty (a nickname, her real name is Sarah) is the adopted daughter of the Darrow family, who live nearby. The Darrows are generally known to be nasty and scheming, and they have spent years looking for the treasure they know that Dies Drear hid. In the last book, Pesty helped the others to frighten off the Darrows when they were getting too close to the secret, but Thomas is still concerned that they might be a threat. He also privately questions Pesty’s loyalty, wondering if she’ll continue to keep the secret from the Darrows, although Mr. Pluto is confident that she will because she knew the secret of the treasure even before the Smalls did.

Mac, a boy about Thomas’s age, is the youngest of the Darrow brothers, and he’s not as mean as the rest of his family. Thomas kind of wants to be friends with him, but he’s not sure if he can really trust him. Mac tells Thomas that he can come over to visit sometime and that his mother is an invalid who sometimes spends months in bed. When Mac shows an interest in Thomas’s great-grandmother, who is coming to live with them, Thomas gets the idea to bring his great-grandmother over to the Darrow house to visit Mac and Pesty’s mother.

However, before they can visit Mrs. Darrow, she comes to visit them, entering their house through one of the secret passages that Thomas and his family haven’t learned about yet. She startles Thomas’s great-grandmother with her sudden arrival, and Thomas is irritated that Pesty didn’t tell him about that secret passage even though she knew about it. Pesty explains to them that her mother is mentally ill, a chronic condition of some kind, and she gets a little odd during times when she doesn’t take her medicine. Thomas’s great-grandmother seems to understand the situation, and she insists on escorting Mrs. Darrow home.

In the secret tunnel Mrs. Darrow used to come to their house, there are hidden rooms, and when they all arrive at the Darrow house, Mrs. Darrow begins telling them a kind of odd story, really little bits and pieces of stories that she has told Pesty and Mac before. Pesty seems to have a better understanding of what Mrs. Darrow is talking about than Mac does, but Thomas can tell that Mac has heard his mother tell these stories before and that he is also trying to get a better understanding of them. For some reason, Pesty seems to be holding back information from Mac as well as Thomas.

The story that seems to concern Mrs. Darrow the most is about an Indian Maiden (Native American). She seems to get upset at first when Thomas mentions that Mac had mentioned an Indian Maiden before. It turns out that the Darrows are part Native American, and the “Indian Maiden” is one of their relatives from the past. She played a role in the Underground Railroad with Dies Drear but lost her life when she was caught. The Indian Maiden was hiding secrets that Pesty is still trying to protect, and she has also been worried about Mrs. Darrow, who sometimes acts out part of the old story as if she were the Indian Maiden herself.

Meanwhile, it seems like someone is playing the ghost of Dies Drear and trying to frighten Mr. Pluto into telling him about the hidden treasure. Thomas and Pesty see the tracks of this person one day when they go to visit Mr. Pluto. The relationships between the different members of the Darrow family are complicated, and not all of them are really after the same thing.

The book is available to borrow for free online through Internet Archive.

My Reaction and Spoilers

Mrs. Darrow’s mental illness and the different motives of the younger Darrows vs. the older Darrow boys and their father are at the heart of much of the mystery and peculiarity of the Darrow family. Mac actually opposed his father and brothers the last time they tried to get the hidden Drear treasure, and since then, they’ve been shunning him. Pesty tries to look after Mrs. Darrow as best she can, but she’s been handling the job largely by herself, and at the same time, she could really use the support of a mother who can look after her. Pesty doesn’t really like all of the secrets that she has been forced to keep, but for a long time, she hasn’t felt safe in confiding the full truth of anything to anybody. She feels even more left out of the Darrow family than Mac is because she’s their adopted child, not a blood relative, even though she is always looking after Mrs. Darrow and thinks of her as her “Mama.”

The solution to many of the problems with the Darrows comes with the public exposure of the Drear treasure and the end to all the secrecy. The Smalls decide to give Mrs. Darrow the credit for finding the treasure, so although Mr. Darrow is angry that he will never get his hands on the hidden treasure that he and his family have searched for so long, they will get part of the reward money for finding it. The foundation that receives the treasure also gives jobs to Mr. Small and Mr. Darrow, changing the lives of the Darrows for the better. Even though Mr. Darrow didn’t get what his family originally wanted, they end up with something that improves their situation, and they no longer feel the need to hide Mrs. Darrow’s condition from everyone. The Darrows are freed from part of their past, and now, they’ll be able to go forward with their lives. Mr. Darrow also shows that he really cares about his adopted daughter.

The Darrows are a mixed race family, and their heritage is in keeping with real events in American history. People with mixed black and Native American heritage are sometimes colloquially known as “Black Indians,” and people with that type of mixed ancestry have existed in the Americas since Colonial times. By the end of the story, the Darrows’ full history isn’t completely explained in detail, but it seems that it was probably Dies Drear’s work with the Underground Railroad that brought their ancestors together. Freed and escaped slaves did sometimes intermarry with Native Americans.

Mystery of the Pirate’s Ghost

Mystery of the Pirate’s Ghost by Elizabeth Honness, 1966.

Abby and Kit Hubbard’s mother has just received a letter telling her than her half brother, Jonathan Pingree, has died and left her the old Pingree mansion.  He has left over bequests to other family members as well, and money to be held in trust for Abby and Kit.  It’s exciting news, and the family may move to live in the mansion they have inherited, although it partly depends on Mrs. Hubbard’s other relatives. 

Mrs. Hubbard, who was born Natalie Pingree, has never met her half-brother or half-sister.  They were her father’s children, from his first marriage.  She doesn’t know much about her father’s early life because he died when she was very young, and all that she knows about him is what her mother told her.  Apparently, her father’s first marriage was not a happy one.  He stayed in that marriage long enough for his first two children, Jonathan and Ann, to become teenagers.  Then, he made sure that his first wife and children were settled comfortably enough in the family home and left them to move to Philadelphia to start a new life by himself.  Sometime later, his first wife died and he married Natalie’s mother, who was much younger.  After his death, Natalie and her mother moved in with her mother’s sister, Aunt Sophie.  When Natalie got married, Aunt Sophie sent a wedding invitation to Johnathan and Ann, but they never came to the wedding or made any reply.  Natalie assumed that they felt uncomfortable about their father’s remarriage and didn’t want to see her, which is why she’s so surprised about Jonathan leaving the family home to her.  The only reason she can think of why he would do that is that neither he nor his sister ever married or had children of their own, so there was no one else to leave the house to.  Both of them were more than 30 years older than Natalie, and Ann is now an elderly woman, still living in the house.  Jonathan’s will has made provision for her as well, and the Hubbards go to see her at the Pingree mansion.

Mrs. Hubbard is pleasantly surprised that Ann is actually happy to see her.  Ann Pingree explains that the reason why she and Jonathan never replied to the wedding invitation was that, until that invitation arrived, neither of them had known that their father had another child, and they felt awkward about it.  However, Ann has been lonely since Jonathan’s death, being the last of the Pingrees, and she is glad to have Natalie and her husband and children with her and is eager to have them move into the mansion and live there. (Ann doesn’t live in the old mansion itself, but she does live nearby.)

Aunt Ann shows the family around the old mansion and explains more about its history and the history of the Pingree family. It turns out that the house, which has existed since Colonial times, although it has been burned, remodeled, and expanded over time. The house also has a number of secrets. Apparently, there used to be a tunnel running from the basement of the house to the beach that was used to bring in smuggled goods during the Colonial Era. There is also a hidden room behind a fireplace upstairs where the children of the family could hide during Indian attacks. (It doesn’t say how often that happened.) To the family’s surprise, Ann also tells them that the mansion is supposed to be haunted. The kids think it all sounds exciting, although Ann doesn’t explain much about the ghost the first time she mentions it. (Kit uses the phrase, “Honest Injun?” when asking Aunt Ann if she really means it when she says that the house is haunted. This isn’t a term that people use anymore because it isn’t considered appropriate.)

Mr. Hubbard is able to get his job transferred to a different branch of the company he works for, so the Hubbard family decides that they will move into the Pingree mansion. The kids like living by the beach, and their parents tell them that they can use the old ballroom of the house as a kind of rec room. Soon, they meet a couple of other children who live in cottages nearby, Chuck and Patty, and make friends with them. Chuck and Patty have already heard that the Pingree house is supposed to be haunted, although they’ve never seen anything really mysterious, just a light in the house once when they thought that the house was supposed to be empty.

The next time Aunt Ann comes to visit, the four children ask her to tell them about the ghost, and she tells them the story of the first Pingree to live at Pingree Point. This ancestor, also named Jonathan Pingree, built the original house in the late 1600s. He was a shipbuilder who owned several ships of his own, and he wanted to live near the sea. Later, he also became a privateer. When the kids call Jonathan a pirate, Aunt Anne agrees and explains that, unlike a pirate, Jonathan’s position as privateer was all perfectly legal because he had a Letter of Marque. (Yes, privateers operated within the law, but yes, they were also essentially pirates who raided other ships for their goods. In other words, they did the same things, but privateers did it with permission whereas ordinary pirates didn’t get permission. Historically, some privateers continued their pirating even after permission was revoked, so as Aunt Ann says, “the line between that and piracy was finely drawn.”) His son, Robert, was sailing on one of his father’s ships when it was taken by other pirates, and Robert was forced to join their crew. The family never saw Robert again and only found out what had happened from a fellow crew member who was set adrift and managed to make it back home. What happened to Robert is a mystery. His family didn’t know if he had really taken to the life of a pirate and couldn’t return home because he couldn’t face his family, if he had been killed in some fight, if he had been hung for piracy because he had gotten caught and couldn’t prove that he was forced into it. However, members of the family claimed that Robert’s spirit did return to the house and that he knocks at doors and windows, begging to be let back into his old home. Aunt Ann says that she’s never seen the ghost herself, but old houses can make all kinds of noises on windy nights, and that’s what she thinks the “ghost” is. As Chuck and Patty leave, they say, “we hope that old ghost doesn’t show up to frighten you.” Of course, we all know that it will because otherwise this book would have a different title.

One day, Kit is bored and starts playing around in the secret room, pretending that he’s hiding from American Indians. While Kit is in the secret room, he overhears the servants, John and his wife Essie, who have worked for the family for years, talking. Essie seems very upset and wants John not to do something that might risk their home and jobs, but John says that it’s too late and that they’re already “in it” and “can’t get out.” Kit tells Abby what he heard. That night, Abby hears banging and wailing during a storm and fears that it’s the ghost. Soon, other strange things happen, like a desk that mysteriously disappears and a cupboard that also mysteriously appears in its place. The children like John, and they don’t want to think badly of him, but he’s definitely doing something suspicious. One night, the children try to spy on him, and Abby once again hears the wailing and sees a mysterious, cloaked figure in the fog. Is it the ghost?

There are some interesting facets of this story that make it a little different from other children’s books of this type. For one thing, the children confide their concerns to their parents almost immediately, and the parents immediately believe them. In so many children’s mysteries, either the children decide to investigate mysterious events on their own before telling the parents or the parents disbelieve them, forcing the children to investigate on their own. It was kind of refreshing to see the family working together on this mystery. It actually makes the story seem more realistic to me because I can’t imagine that I would have been able to keep worries about mysterious things secret from my parents as a child, and they would have noticed if I was sneaking around, trying to investigate people, anyway. Abby and Kit do something dangerous by themselves before the story is over, but they also confide what they’ve done to their parents at the first opportunity and do not take the same foolish chance again.

The truth of John’s activities comes to light fairly quickly, although it takes a little longer for the family and the authorities to decide how to handle the situation. Investigating John brings to light some of the Pingree family secrets, and Abby and Kit soon discover the fate of Robert the pirate and the truth of his ghost. I’ll spoil the story a little and tell you that the ghost that Abby sees is apparently real, but it isn’t very scary. Once they learn the truth of what happened to Robert and see that his body gets a decent burial, the ghost appears to be at peace.

One thing that bothered me was the way that the characters talk about Native Americans in the book. It’s not the talk about Native American sometimes abducting children because I know that happened. It’s more how they picture that would happen. In the scene where Kit was hiding in the secret room, Kit imagines that the Indians were attracted to the house by the smell of his mother’s cooking and that he went into hiding while his mother fed them to avoid being abducted. As part of his scenario, he imagines that his mother would have wanted to “hold her nose against the Indian smell.” What? Where did that come from? There are all kinds of tropes about Native Americans in popular culture, from the “noble savage” image to that silly “Tonto talk” that actors did in old tv westerns, but since when are they supposed to smell bad? I’ve never seen characters in cheesy westerns hold their noses before, so what’s the deal? I tried Googling it to see if there’s a trope that I missed, but I couldn’t find anything about it. I’m very disappointed in you, Elizabeth Honness.

This book is currently available online through Internet Archive.